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210424 - BX1050
I’m an artist and researcher based in Brussels. In this space, you'll find a selection of past and ongoing projects. For a bio, go to the intro section, and continue reading & exploring this site of archives for the latest works.

  

to think. to create. to build the utopia.  

   WIP - this is final until it’s not



i work from the in-between. as a metaphor, but also as the material ground on which making happens at all. the threshold/the in-between is where the (my/our) body.ies become(s) most legible as a political fact, where the question of ‘get to...’ is most acute. it is also where form is most unstable, where the sign has not yet fixed its meaning. the shape looks crooked yet intentional. i work from a place where the separation between beauty, survival, and resistance is structurally impossible.art is beauty. art is survival. art is activism. a description of what making felt like in the time of multiple genocides. resistance through creation. a reinvention of the world and of the self in the process.

follow the intuitin and deconstruct the beliefs in the same sweeping motion. 

i fall in love many times a week, with people, with ideas, with forms, with things. obsessions that pull me toward my own limits, always at the edge of the unrealistic, always tip toeing around the surreal. 

the personal is the political is the aesthetic. the lived condition of making something at the threshold, where what you carry in your body is already an archive. where what you make is already a wager on another world. to make the beautiful thing and not allow it to be reducible to it. to embody the decolonial praxis: make something that refuses full legibility, that insists on its own density.  the refusal is the form. the form is the refusal. 

the obsession with the utopia. so each piece of work is a fragment of it.

i watch how people move through and inhabit space. how they become, collectively, something that exceeds what was expected of them. through this work i try to undo the imaginaries we inherited. to make room for something that cannot yet be fully named but can be felt. 

what i make is rooted in a belief, yes normative, that art serves as a vehicle for revolt and for thought. politics, pop culture, spirituality, lived experience woven together. each series, each work, a site of introspection and rebellion simultaneously. each one an attempt at auto-ethnography. each one a reinvention of the world and of the self. 

resistance, remembrance, and beauty, all at once. 












               The current version — released on April 21, 2026 — is the third iteration of the site.